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Remembering Subir Gokarn: The big-frame economist who loved the little things

While his ability to connect the dots is well-known, CRISIL Chief Economist Dharmakirti Joshi recounts Gokarn's love for food and travel, besides other lesser known facets of the man

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The alternate reality of the other India

As one heads to Deoban, a thick deodar forest in Uttarakhand, the pandemic recedes with every inch covered

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Frames per Second: The burden of the river

Raj Kapoor's last film, Ram Teri Ganga Maili, conflated the river's pollution with the corruption of people, and is still a poignant metaphor for our times

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Dilip Kumar: The sole supernova in Galaxy Bollywood

Yusuf Khan from Peshawar, aka Dilip Kumar, was completely believable in a wide range of roles in a span of 12 years at the height of his career covering 62 films in nearly 50 years

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Karnan and Sarpatta Parambarai: Exciting Tamil cinema - from the fringes

Two recently released movies again show how intelligent alternative Tamil cinema could get

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Chaitanya Tamhane's The Disciple is slow, but also unfailingly intelligent

The Disciple might not be as satisfying as Court but that's more of a testament for the standards that Chaitanya Tamhane has set with his debut

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Nayattu, Sandeep Aur Pinky Faraar: Cinema about running, and hiding as well

Two diametrically opposite movies of 2021 show us the inner turmoil of police personnel during testing times

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Vijay Sethupathi, Parthiban nearly make Tughlaq Durbar worth your time

Vijay Sethupathi-starrer is the best among the five movie releases of last week, but still falls short of expectations

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Love Story review: A meandering mess of a movie

In his latest directorial venture, Sekhar Kammula shows he's short of ideas and almost makes one wonder if Fida was a flash in the pan

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No Time To Die movie review: A bittersweet swan song for Daniel Craig

Daniel Craig's final foray as James Bond could have been better than a bloated 141-minute drama

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Doctor review: Nelson Dilipkumar delivers a solid gold hoot of a movie

Nelson Dilipkumar's exuberantly crafted part-thriller, part-comedy is a sight to behold for the moviegoers who have been craving for a reason to return to the cinemas

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Most Eligible Bachelor review: A slick, soulless movie that goes nowhere

Akhil Akkineni improves as an actor, but Bommarillu Bhaskar's script lacks freshness

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Annatthe: Even Rajinikanth couldn't save this boringly expensive movie

Director Siva rehashes his own movies to deliver a crashingly lethargic ode to the 'Super Star'

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Sooryavanshi review: A decent movie to draw audience back to the cinemas

Akshay Kumar's controlled intensity is something to marvel in a movie where nuances go nuclear

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Frames per Second: The Big Bad Bollywood Wedding

Fans obsess over celebrity weddings such as Ranbir-Alia. But the big fat Indian wedding is inalienable from Bollywood

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Frames per Second: The birth of the mother

Rewatching Jai Santoshi Maa (1975) in the age of Kali

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